Richard Spaven is talking about Glastonbury. The detail he keeps returning to is not the crowd, the broadcast, or the size of the stage. It is the camera in Loyle Carner's hand.

Tom Skinner is talking about a phone in a Paul Thomas Anderson film when something shifts. Not the plot, not the period — the air. His second solo album began in that kind of collapse: time folding, rhythms carried forward, images sealed in emulsion for decades. A conversation about patience as method.

Seb Rochford has been part of the undercurrent of British music for more than two decades — from Polar Bear’s knotty jazz to the ritual weight of Pulled by Magnets, from punk clubs to Patti Smith’s stage. A drummer, composer and producer, he’s always treated sound as something felt before it’s understood.

Stubborn Heart’s Luca Santucci and Ben Fitzgerald return with 'Made Of Static,' blending heartbreak, soul, and experimental noise while reflecting on vinyl’s tactile allure and modern music industry challenges.

Jack Wyllie explores mbalax rhythms and optimistic vibes in his latest work, balancing fast tempos with a sense of melancholy and a desire for film scoring opportunities.

The Twilite Tone’s 'The Clearing' is about letting go and renewal, rejecting social media validation, and staying true to hip hop’s original principles amidst societal changes.

I think for me 'Dirt in the Ground' is a special one. It takes me right back to my teens in a really vivid way. And the message is resonant, and for me, it's a hopeful one.

‘Collaborating is a crucial part of my musical endeavour. I see a significant meaning in finding soulmates to create music with. I have seen many amazing solo concerts, but the most beautiful magic happens when at least two souls understand each other and let their energies flow together on stage’.

Details come into focus, while others fade, ambience and atmosphere shift, the feeling comes trickling in. Kamaru’s's latest album 'Peel' taps into this sensation. An audio work of textural depth that weaves field and acoustic recordings together with subtle electronics to create an emotionally engaging tapestry. Sit still and listen carefully.

‘It's about us fleeing into his studio, locking the door and getting into a particular flow. There's not too much consideration. It's ideas, and then we execute them. And then we put the next idea on top and then the next one’.

Polish composer Hania Rani connects deeply with listeners through a balanced mix of vocal and instrumental pieces, exploring the power of music to move the imagination.

Sam Gendel reinvents '50s jazz classics in 'Satin Doll,' infusing them with contemporary edge and personal artistic vision, reflecting on his career growth and creative process.